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Alevis and Alevism in Turkish Cinema

This entry focuses on the representation of the Alevi-Bektashi faith and identity in Turkish cinema, examining the role of cinema in the construction of cultural…

The Identity Repertoire of Alevis and Shared Humanity

In light of the challenges and issues involved in defining Alevi identity, the concept of an “identity repertoire” may be proposed within the framework of…

Necropolitical Violence and Alevis

The concept of necropolitical violence offers valuable potential for clarifying the meaning and significance of the Alevi community’s status as an oppressed minority and its…

Cem Ritual and Psychological Well-Being: A Social Identity Perspective

This entry examines the historical and contemporary experiences of exclusion faced by Alevis through the framework of the Social Identity Approach in social psychology, with…

A Brief History of Bağlama

The bağlama is, as in the past, still the most important instrument of our folk music today. It would not be inaccurate to say that…

The Institution of Analık in Alevism

Analık, as a socio-religious role in Alevism, constitutes a significant component of the traditional and social structure of the Alevi belief system. It plays a…

Sociology of Emotions and Collective Memory in the Deyişes of Pir Sultan Abdal

Pir Sultan Abdal is one of the most important poets of the Alevi tradition and lived in the sixteenth century. His deyişs have held a…

Space in Alevism

This entry examines the phenomenon of space in Alevism through its intellectual, physical, and social dimensions. It argues that space is not merely a geographical…

The Hacı Bektaş-ı Veli Dergah

This entry examines the closure of the Hacı Bektaş-ı Veli Dervish Lodge (Dergâh), a site of great importance and sanctity for Alevi-Bektashis, under Law No….

Güruh-u Naci The Creation Myth in Raa Haqi (Dersim Alevism)

In Raa Haqi (also referred to as Dersim Alevism or Kurdish Alevism), the Creation Myth constitutes a fundamental narrative and symbolic universe through which the…
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